https://www.science-story-telling.eu/fileadmin/content/projekte/storytelling/biografien/biografien-eng/thompson-rumford-biografie-gb.pdf
temperature, he moved the balance to a much colder room. After two days, he measured the bottles to find that, even with the water frozen, they were all the same weight as before. He moved the balance back
https://www.science-story-telling.eu/fileadmin/content/projekte/storytelling/didaktik/didaktisch-eng/scoring-of-student-questions.pdf
judgment, and values) … ? Why (do it that way in view of foundational value) … ? Example: Why can’t they move wind farms where there are no animals? b. Epistemological (E2) Question prototypes: How do you know [...] philoso- phical category, ethical or moral issues are examined or questioned (e.g., “Why can’t you move the wind farms where there are no animals [birds]?”). The former asks for an explanation of a concept
fileadmin/content/seminare/soziologie/dokumente/culture-practice-and-europeanization/cpe-vol.5-no.1-2020/cpe-5-1-pp16-33-fage-butler-gorbahn-2020.pdf
ECOCs is also evident in studies that show that the European dimension tends to diminish as ECOCs move from the early pro- posal stage to being realized as actual events (Palmer, 2004, 88). Moreover, programme
fileadmin/content/seminare/soziologie/dokumente/culture-practice-and-europeanization/cpe-vol.5-no.1-2020/cpe-5-1-pp67-84-vidmar-horvat-2020.pdf
correspondence between the news story and the reported events; the iconic and the symbolic meanings move the realism of the event away from “pure” description to a more abstract level. The latter triggers
fileadmin/content/seminare/soziologie/dokumente/culture-practice-and-europeanization/cpe-vol.5-no.1-2020/cpe-5-1-pp85-101-gaertner-2020.pdf
place as hell on earth and at the same time they want to prevent peo- ple living in this hell from moving by blocking them on the spot?’” (Raphael, TfF, Ya- oundé, 2018). The vagueness and considerable historic
fileadmin/content/seminare/soziologie/dokumente/culture-practice-and-europeanization/cpe-vol.5-no.1-2020/cpe-5-1-pp102-117-eder-carlson-2020.pdf
grammars that organize the way people tell each other about the world. Genres organize stories on what moves social actors, i.e. on ideas and emotions; they are about actors helping and fighting others, doing [...] plot. Ro- mantic plots give to comic plots a wider time dimension, claiming to tell how the past will move toward an unavoidable future. Romantic plots are particularly prone to what we could call reactionary [...] non-European identities, be they American, Chinese, etc. or from migrant people who are forced to move. Therefore, the search for a European identity continuing along the lines defined by the nation-building
fileadmin/content/seminare/soziologie/dokumente/culture-practice-and-europeanization/cpe-vol.5-no.1-2020/cpe-5-1-pp1-15-lueg-carlson-2020.pdf
story’: narrative inquiry may focus on researching one precisely definable storyline but can also move far beyond this. Constructionist narrative research tends to refer to the basic definition of narrative
fileadmin/content/seminare/soziologie/dokumente/culture-practice-and-europeanization/cpe-vol.5-no.1-2020/cpe-5-1-pp123-132-vobruba-2020.pdf
Ways out The sudden demand for a guaranteed basic income has something very relieving about it. One moves in the ideal world of the normative: first a bad social actual condition is diag- nosed, then a basic
fileadmin/content/zentren/ices/dokumente/newsletter/ices-newsletter-ausgabe4.pdf
‘modern’ and ‘backward’ European populations. Drawing on 57 interviews with Italian migrants who moved to England after the 2008 economic crisis, and combining Bourdieusian class analysis and decolonial
fileadmin/content/institute/physik/bilder-und-dokumente-aktuell/6-forschung/material-culture/bispo-da-silva-ana-paula-contributions-of-material-culture-studies-to-scientific-instruments.-a-possible-biography-to-a-camera-lucida.pdf
be well delineated. To control lightness, it was necessary either to move the table towards the lighter parts of the object or to move the colored glasses 2 and 3 vertically towards the prism to reduce the [...] 8 x 2.7cm, which had the same size of the blue glass pieces. The complete apparatus was free for moving with accuracy through lateral supports. The prism had a surface area of approximately 2.3cm of length [...] could be made anywhere, and that resource was important for travelers who reproduced landscapes from moving ships. There is no consensus as to whether the Amici’s Cam- era had a large audience. Hammond & Austin