fileadmin/content/portal/die-universitaet/dokumente/gremien/ausschuesse/europaausschuss/checkliste-antraege-europa-ausschuss-2018.pdf
senden Sie den Antrag als Email-Anhang an: europaausschuss@uni-flensburg.de. Die aktuelle Einreichungsfristen finden Sie unter http://www.uni-flensburg.de/portal-die-universitaet /die-institution/sena [...] Kostenvoranschlägen) und Höhe der beantragten Förderung bei der EUF (inklusive einer Begründung zur Art und Höhe der beantragten Unterstützung). ☐ Die beantragten Summen entsprechen den Vorgaben der EUF [...] tsausschuesse/zentraler-ausschuss-fuer-europa-und-internationales/ http://www.uni-flensburg.de/ Checkliste für Anträge an den Ausschuss für Europa und Internationales
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Teaching Material on Biodiversity Conservation (TMBC) Title: A Trip to Africa – The Cheetah on the brink of extinction? Author: Swantje Lehmann Quality Assessment: Prof. Carsten Hobohm (UF) Level: Sec
fileadmin/content/seminare/soziologie/dokumente/culture-practice-and-europeanization/cpe-vol.5-no.1-2020/cpe-5-1-pp1-15-lueg-carlson-2020.pdf
Sören Carlson (soeren.carlson@uni-flensburg.de) Europa-Universität Flensburg, Germany _________________________________________________________________________ 1. State of the art – subjects and range within [...] stories, as induced by Western discourse. Local counter-narratives, as represented in the visual art pieces, may help in advancing the European project. Marlene Gärtner (2020) then contributes an empirical [...] 885- 899. Bal, M. (1997). Narratology: introduction to the theory of narrative (2. ed.). Toronto: Uni- versity of Toronto Press. Bamberg, M., & Andrews, M. (2004). Considering counter-narratives: narrating
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Eder (keder@rz.hu-berlin.de) Humboldt-Universität zu Berlin, Germany Sören Carlson (soeren.carlson@uni-flensburg.de) Europa-Universität Flensburg, Germany ______________________________________________
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out of Basic Income’s utopia trap. Making sense of the basic income debate Georg Vobruba (vobruba@rz.uni-leipzig.de) Universität Leipzig, Germany _________________________________________________________
fileadmin/content/seminare/soziologie/dokumente/culture-practice-and-europeanization/cpe-vol.5-no.1-2020/cpe-5-1-pp16-33-fage-butler-gorbahn-2020.pdf
which subjects are invoked as part of a larger community, and national cultural goods, where European art and values and so on serve as material representations of European- ness. Second, the network structure [...] r for Culture, links the na- tional, European and global dimensions with the concept “culture” as art. Not surprisingly perhaps, the European Commissioner for European Capitals of Culture represents the [...] centuries, owners of manor houses looked towards Europe, they travelled and brought European fashion, art and culture back home to their estates. European en- counters re-examines these historical European
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European Cultural Foundation. Snelders, B. (2012). Narratives for Europe Not the Art of the State but a State of the Art. Amsterdam: European Cultural Foundation. Sunstein, C. R. (2007). Republic.com 2 [...] 2018 national elections. 2. The discursive construction of European identities: a brief state of the art descriptions of top-down and bottom-up narratives in the polarised debate Literature in social science [...] London: Verso. Chadwick, A. (2013). The Hybrid Media System Politics and Power. New York: Oxford Uni- versity Press. Charmaz, K. (2006). Constructing Grounded Theory: A Practical Guide through Qualitative
fileadmin/content/seminare/soziologie/dokumente/culture-practice-and-europeanization/cpe-vol.5-no.1-2020/cpe-5-1-pp52-66-patrut-2020.pdf
inner European borders. Romanies, Nation States and Europe Iulia-Karin Patrut (iulia-karin.patrut@uni-flensburg.de) Europa-Universität Flensburg, Germany ______________________________________________
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representations of the refugee crisis at the periphery of Europe Ksenija Vidmar Horvat (ksenija.vidmar@ff.uni-lj.si) University of Ljubljana, Slovenia _________________________________________________________ [...] magazine Mladina, and was later presented in a gallery context as an autonomous work of (documentary) art. In my analysis, I treat both works as counter-narratives. Each of the two presents its own sets of [...] paradoxically leans towards de-objectification. Illustrations in the I Am a Refugee project invoke Art Spiegelman’s two-volume novel Maus, where he uses illustrations of animal characters of cats (Nazis)
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attempts to counter the ‘Paradise Europe’ narrative in Cameroon Marlene Gärtner (marlene.gaertner@uni-konstanz.de) University of Konstanz, Germany _____________________________________________________ [...] interview partners have been anonymised. The multiplicity of actors reflects “narration as a democratic art” where “stories thrive in the medium of socially shared knowledge” (Koschorke, 2018, 23). It is the