fileadmin/content/institute/anglistik/dokumente/projekte/dohcce-online.pdf
S. Stop it both of you. 5464 L Stop it both of you. 5465 S. Stop it, both of you. 5466 S. Stop it, both …. [unverständlich] 5467 L. Stop it, both of you. 5468 S. Stop it, both of you. 5469 S. Stop it, [...] both of you. 5437 S. He stop it, both …. 5438 L. No, stop it, both of you. 5439 S. Stop it, both of you. 5440 S. Stop it, both of you. 5441 S. Stop it, both of you. 5442 S. Stop it, both of you. 165 DOHCCE [...] TB. Stop it, both of you.[5] 5431 L. Once more. 5432 TB. Oh you and your football. Stop it, both of you. 5433 S. Stop it, both of you. 5434 L. Very good. 5435 S. Stop it, both of you. 5436 L. Stop it,
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fileadmin/content/abteilungen/comparative-political-economy/dokumente/downloads/final-version-book-review-eribon-louis.pdf
humi- liated for his appearance (“You are the faggot, right?” *Louis, p. 5+). Yet this scene doesn’t stop there. He gets beaten up: “The kicks to my stomach knocked the wind out of me and I couldn’t catch [...] factory and carrying heavy weights, the father returns home with back pain due to ruptured discs. He stops working and doesn’t return to the work at the factory. The family suffers from economic hardship as [...] twenty where he encounters a strange dialectic in terms of how he builds his own identity. While he stops being silent about his homosexuality and starts to live as an openly gay man, he begins being silent
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fileadmin/content/institute/physik/bilder-und-dokumente-aktuell/6-forschung/material-culture/kleemann-navina-6000-dollar-fuer-einen-computer-der-hp-calculator-9830a-und-der-card-reader-9869a-an-der-gesamtschule-marktoberdorf.pdf
FAIL In der Mitte der weißen Linie befinden sich drei beschriftete Tasten: LINE CONTINUOUS ON(IN) STOP PICK Links der Tasten sind drei dunkelgraue Vertiefungen in das Objekt eingelassen. Sie sind übereinander
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fileadmin/content/institute/physik/bilder-und-dokumente-aktuell/6-forschung/material-culture/ottaviani-celeste-a-temple-in-a-science-museum.-object-biography-of-gerzabeck-s-zuendmaschine.pdf
As soon as the pressure of the outflowing gas decreases, the lever closes automatically and thus stops the combustion process (Gründungssammlung, 2020). Fig. 10 Photo of how the electric machine appears
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Objektbiografie: Die Fallmaschine nach Georg Atwood von Johann Anton Wisenpainter Lisa Schröter lisaschroeter@riseup.net Object Biography: The Adwood Machine from Johann Anton Wisenpainter The Atwood
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Objektbiografie Atwoodsche Fallmaschine Inventarnummer 775 Andrea Nicola Grimm grimm.andrea.nicola@gmail.com The Atwood machine 775 from the Deutsches Museum in Munich The importance of Material Cultu
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fileadmin/content/seminare/soziologie/dokumente/culture-practice-and-europeanization/cpe-vol.5-no.1-2020/cpe-5-1-pp34-51-lucchesi-2020.pdf
considered by commentators as a natural sign of the political weakness of the Italian elite while stopping migrants and suspending any adherence to international law is intended as a method used to regain [...] clear opposition to the process of European integration: “Europe Union .. wouldn’t it be better to stop this joke and finally go back to the full sovereignty starting with the monetary one?….” (la Repubblica [...] continuity between newspapers and users narratives: “Before throwing money away ..it was better to stop landings.. we knew that they were not asylum seekers…but vulgar clandestine..” (Il Fatto Quotidiano
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As shown by Vidmar Horvat (2017), media paranoia coincided with the fear that if it were unable to stop the illegal crossings, Slovenia would be left out of the EU power centres at Brussels. This struck
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trust fund reflects to what extent the perception of migration is dominated by a “sense of urgency to stop irregular migration to Europe” – as Oxfam points out in a briefing note titled “An Emergency for whom [...] our perceptions of reality: “The drive to model the world along narrative lines does not come to a stop at the boundaries between various systems of social function. This is the case at all levels – from [...] tell you is that ‘Go and then make for us a way’. Because we know that there is nothing that will stop you from succeeding. That is how we perceived it” (Wilson, Pretoria, 2018). The sharp contrast between
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“robust” European identity that blocks further story-telling (Eder, 2011, 49). Yet stories do not stop at some point, they encounter other stories, thus fueling the process that underlies iden- tity c
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